Harga Kamera Yashica Mf 2 Super

Harga Kamera Yashica Mf 2 Super. Cari harga dan promo terbaik untuk Yashica Mf 2 diantara 140 produk Cek harga terbaik sekarang hanya di BigGo!.

Designated for captivating worthwhile moments MF2 invites you to take a moment to think feel and immerse in the details of the surroundings in order to perfect film photo In the process of seeing life through the lens be aware of the presence slow down and connect the pieces in life Lens 38mm f/38 (threeelement threegroup lens composition) Shutter Mechanical shutter 1/125sec.

Harga Yashica Mf 2 Terbaru Desember 2021 BigGo Indonesia

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Lomopedia: Yashica MF2 Super · Lomography

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Kamera Analog Yashica MF2 Super (For Sale) YouTube

That might sound cliche but the Yashica MF2 Super really had everything toned down to keep the photographic process as simple as possible It was a 35 mm pointandshoot camera that has a popup flash and a DXcoding system The MF2 Super also had a metering cell that warns the user of underexposure by way of a red LED in the viewfinder Basically the MF2 Super had a lot of similarities Author Cheeo.

Kamera Analog Yashica Mf 2 Super Shopee Indonesia

Back to The MF FutureThe CAS E of The Missing SpecsDesign Build and Ergnomicsin UseResultsConclusionsThe MF series was not the high point of the original Yashica’s range It began reasonably enough with the Yashica 35 MF in 1977 A zone focus camera with built flash that joined the craze for flash compacts triggered by the Konica C35 EF The 35 MF offered programmed automatic exposure and was followed by the similar MF1in 1979 Things went downhill with the 1980 MF2 which was fixed focus and had no real exposure control other than the ISO setting setting the aperture à la Olympus Supertrip But it’s not that camera that’s coming back And some would say it’s not a true Yashica In 1983 the once mighty Yashica was acquired by Kyocera Although Kyocera would oversee the likes of legendary Yashica T* series and Samurai series this was regarded as the low ebb That was until the Y35arrived The MF2 Super appears to be a rehashed version of the MF2 The only notable differences being the camera sets the film speed by DX coding and there’s a mechanical self timer There’s a lot of Info on this camera is sketchy to say the least There’s several Japanese sites with some semblence of specifications and Lomography’s Lomopedia I’m indebted to Chris from yashicasailorboycom(a great blog for Yashica fans BTW) He’s helped me with some specs from the manual which confirms the listings from elsewhere and my own experience There’s also a bloke who tears one apart on Youtube but it doesn’t really give you much insight But it is rather entertaining to watch The fixed focus 38mm 138 lens is described as a triplet construction with at least a coated front element Lomopedia quotes a 1m to infinity focus range but I’m inclined to believe the Japanese sites with a 15minfinity range The camera a fixed shutter confirmed in the manual of 1/125 Matched with just 2 aperture settings – f/8 usually or with flash setting f/38 There is no difference whatever film speed you load Two AA batteries power the flash the CdS meter and DX coding I’ve seen sites suggest it sup This is a camera evolved from a late 70’s flash compact and in truth little in its styling is different Although it’s got Yashica on both front and top plate Kyocera make clear whom is in charge by the decaling And it looks like a 70’s flash compact and it’s neatly styled if that’s your thang However unlike it’s 70’s predecessors this is much more plasticky My one’s battery compartment door doesn’t fit snug and indeed I’m not convinced the electrics always work This may be due to damage in use but the camera is fairly immaculate It does feel like a build quality issue The camera is easy enough to hold and it has an easy load system The pressure plate for film plane is flat Not much here of note load use the lever winder and frame and shoot The viewfinder has a bright lines for frame markings and a red LED is also projected in with low light The manual flash is activated by sliding to side It has a cable point tripod mount and of course the mechanical timer This is a game of 2 halves From an exposure viewpoint the camera relies on film latitude and you turning on the flash in the dark This means inevitably a lot of 100 ISO shots turn out slight under exposed if you shoot on dull days And of course with 400 ISO shots get over exposed on bright days Of course the wise amongst you will have noted you can of course slide out the batteries This allows the exploitation of the wider f/38 setting without flash Optically things are actually not bad There is only a mild case of pincushion distortion but the lens is okay especially over 310m You couldn’t call it sharp per se But it’s better than the average plastic lens and around average for a Japanese rival of this class Go beyond 10m and things drop off and the 15m is a serious warning for close shots The sharpness holds itself almost across the frame too just dropping a bit at the edges The camera has no parallax adjust lines On closer shots using the viewfinder means you’re A konica POP this is not but it is a reasonable attempt It joins the ranks of many a 80’s cheap fixed focus flash cam on that lines It’s lens is good enough for the class but crippled by the fixed aperture Cameras like the Pop and the Olympus supertripadjusted aperture for film speed and they are much better clinically choices But it does however trounce some later rival cameras with the same fixed everything settings like the Konica EU mini And it also comes with a the option for filters cable and timer Meanwhile the lens is actually quite good within the limitations of a the spec Just a shame about the build quality which is shocking given the name If you fancy this class just buy a POP or a Supertrip or if lucky aGoko UF If you can live without flash and 36 exp get a VUWS clone Now if the new MF2 version is built better and does a better job with exposure Irritatingly that would be an original MF1.